Publication: Already Available
When thirteen-year-old Davia goes with her parents to Louisiana to help care for dying Aunt Mari she discovers a world that her parents can't see. In forming a tentative friendship with Aunt Mari, Davia learns about family history, life on a southern plantation, and that Aunt Mari can see ghosts. Ghosts of her family members from generations ago, that is. Mari has only one request for Davia--help her die in peace by helping the ghost of Emilie find her own peace.
Davia begins a journey into a world that she isn't even sure she believes in, but she is determined to help her Aunt Mari. When Emilie does finally appear, she and Davia don't get along so well. As the two get to know each other and Davia finds out about the past (from Emilie and Mari), the two begin to work through their problems. Through Emilie, Davia begins to see the "ghosts" which she's been holding on to and Emilie finally tells Davia the truth about her death and why she insists on haunting the plantation. But will Davia and Emilie finally give up their ghosts in time to let Aunt Mari give up her own ghost?
This story is beautifully written and perpetuates the often-used older woman-younger woman friendship through storytelling. While Sinykin sets her story in post-Katrina Louisiana, the plot does not revolve around disasters that happened during or after the storm. In fact, the mention of Katrina serves as a metaphor for Davia's life in the past few years (her mother has cancer). Just as Louisiana is slowly healing (with a few parts still in shambles), so is Davia and her family.
The characters in this story are archetypes at best. For the most part, Davia, her mother, her father, and Emilie are just shells of real people. Only Aunt Mari, the dying one, is full of life and personality. However, in a literary kind of way the lack of "character" and the "shell-ness" of the other people in the story is a reflection of their hardships-they are simply going through the motions.
The scenes in which Emilie and Davia converse seem strange and too young for the girls. They seem to play a game of secrecy more like 10 year-olds than 13 year-olds, which makes for a frustrating and unproductive story line. The girls fight like sisters (they are related!), but don't really seem to have a good enough relationship for what happens in their last encounter to be plausible.
I applaud Sinykin for the scene in which Aunt Mari "gives up her ghost." It is beautifully written with a quiet calm that isn't often seen in books with death scenes. Everyone should be so lucky as Aunt Mari. The description of Davia's emotions in this scene is enough to make even the most sensitive of readers smile and the most calloused readers feel the warmth and freedom of letting go. Of the many death scenes that I've read, this will be one that stays with me for a long, long time.
This is a quick and heartfelt read that will have readers engrossed from the very beginning.
Rating 4 and a half pages